Enys Men is the latest feature film from Cornish filmmaker Mark Jenkin, and it reaffirms his penchant for crafting haunting and poetic stunners. A logical progression of his previous film, Bait, the film finds Jenkin expanding his experimentation and atmospheric dread in more elusive, eerie, and unsettling ways to create an English folk horror unlike any other.
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Made for meager $15k, Kyle Edward Ball’s debut feature, Skinamarink, garnered a lot of attention during its festival run due to its unique approach to the genre (and because a pirated copy leaked online). With a viral word-of-mouth and a theater run that saw an exponential return, the film has generated buzz and reopened the conversation — like The Blair Witch Project did before it — about horror’s ability to cause big waves with very little.
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Travis Stevens is totally unhinged in his latest film, A Wounded Fawn, a psychedelic giallo-tinged arthouse horror that embraces the psychotic. The film is a gritty and grimy vibe that blends slasher and cabin-in-the-woods subgenres to interesting affect.
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